Most-Read Feedback Articles (Last 365 Days)
- 2016-09-24 - Amphion's New 3LS Loudspeaker
- 2016-11-01 - Hegel H360 vs. Devialet 120 or 200?
- 2016-10-27 - Vivid Giya G3 vs. Vivid B1 Decade vs. KEF Blade Two
- 2017-01-15 - Luxman L-550AX -- the Little Amp that Probably Can
- 2016-10-26 - B&O BeoLab 90 Video and Review
- 2017-05-01 - A Paradigm Active/40 Owner on Active Speakers
- 2017-07-01 - The Luxman's League
- 2017-01-24 - Sonus Faber Olympica III vs. PSB Imagine T3
- 2017-04-15 - Here's What Happened to the Devialet Gold Phantom
- 2016-11-02 - Bryston Mini A and Mini T
- Category: Reader Feedback Reader Feedback
- Created: 07 December 2016 07 December 2016
To Doug Schneider,
I enjoyed your review of Audio Research’s GSPre. You raised an issue that has “bugged” me since I acquired an LS27 linestage -- the tubes inside some of ARC’s amps don’t necessarily color the sound. That’s a good thing, IMO, as I want to hear everything in the recording, unblemished.
My question is simply: If the tubes don’t color the sound (and the sound quality is fantastic in my system!), then why have them there? (I’m not an electrical/audio engineer.)
Thanks for reading.
What you’re asking is something I’ve asked myself; however, I’ve come to the conclusion that the answer comes not from second-guessing the design choices of the company, but from listening to the result. I listened to the GSPre and found it to sound fantastic. From what you’re telling me, your LS27 sounds great as well. What’s more, they don’t have the stereotypical tube-type colorations, such as an overly warm sound or rolloffs at the high- and low-frequency extremes. Could they have gotten a similar result with all-solid-state designs? Since Audio Research only makes tubed equipment, we’ll never know. But, as I mentioned, I have given up guessing. In the case of the GSPre, I can only say that, based on how it sounds, the end certainly seems to justify the means. . . . Doug Schneider