Most-Read Feedback Articles (Last 365 Days)
- 2018-03-07 - Did the Buchardt S400s Show?
- 2018-11-03 - The Best $2500-Per-Pair Stand-Mounted Speaker
- 2018-04-26 - Integrated for Dynaudio Contour 30 Speakers
- 2018-03-04 - The High-Priced Deception?
- 2018-10-24 - CDs Instead of Streaming
- 2018-04-15 - Tannoys Tonally Off
- 2018-03-13 - From KEF LS50s to R500s
- 2018-04-02 - Richard Gray's and Other Power Products
- 2018-02-26 - Bryston Is Second to None!
- 2018-10-02 - Three Questions About the $1575.89 System
- Category: Reader Feedback Reader Feedback
- Created: 10 May 2017 10 May 2017
To Doug Schneider,
Back when the $1600/pair [Paradigm] Active/20 was available, I A/B’d it against the then-current $800/pair [Paradigm] Studio 20 -- no comparison: much more dynamic, flatter frequency response (a revelation in itself), and incredibly deeper/fuller bass. Passersby thought we were listening to the $2000/pair floorstanding Studio 100s (but the Actives had better imaging).
I understand Paradigm’s actives had reliability issues that I’m sure hurt the cause.
It was an epiphany for me and I moved on to another form of active -- single-driver speakers (active by default) and commissioned transmission-line floorstanders using the now-discontinued Fostex F200A driver (a mighty Alnico magnet that on its own reaches 30Hz).
But last year I scored a pair of Dynaudio BM5 Mk.IIIs for $850/pair before they were discontinued. They’re from Dynaudio’s professional studio monitor range and represent a step up from the Excite X14A without wood veneer. I like them very much. More analytical but less bass than my single-drivers.
Another reason active hasn’t sold in the audiophile realm is the inevitable comparison of studio work to home enjoyment. I’ve never understood why audiophiles poo-poo the studios that produce what we listen to. But I see the two coming closer together as home listeners tolerate less colorations and as you mentioned, clutter.
Anyway, keep up the good work.