The Miracle of the Compact Disc and the Usefulness of the Shanling ET3 Transport

When the Compact Disc was released to the public in 1982, it seemed unimaginable that music encoded on a disc could one day be transmitted wirelessly, as we experience today. It seemed equally unimaginable that it could be stored on a server thousands of miles away and played back nearly instantaneously in the home, as now happens with streaming services. This was a time when physical media not only dominated the market, but was the only option for high-fidelity playback.

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January Snow Days—Treble Clef Audio and the David Chesky Trio

The Canadian winter hits hard here in Ottawa, where I live. From mid-December to mid-March snow is a near-constant companion to us, punctuated by occasional major snowstorms. We call those events snow days—sporadic snow flurries don’t really count here. Despite great advances in weather forecasting, the time of onset of such storms all too often eludes accurate prediction. Two of this January’s heavy snowfalls seemed set to foil my hi-fi adventures.

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My Three Favorite Products of 2024

The SoundStage! Network’s Product of the Year awards for 2024 were announced on December 15 on this website and on our YouTube channel. Award winners were selected by our editorial team (which includes me). As in previous years, we sifted through reviews of products that received Reviewers’ Choice awards during the year on SoundStage! Hi-Fi and its sister websites—SoundStage! Ultra, SoundStage! Access, SoundStage! Simplifi, and SoundStage! Solo—and picked standout products in the different categories.

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The 2024 SoundStage! Network Awards for Outstanding Achievements and Products of the Year

Scope

The SoundStage! Network has been presenting Product of the Year awards annually for almost 30 years. As always, selection of the 2024 award recipients has been based on product reviews published during the year on our core group of audio-review websites: SoundStage! Hi-Fi, SoundStage! Access, SoundStage! Ultra, SoundStage! Simplifi, and SoundStage! Solo. Winning products were chosen from among those that received a Reviewers’ Choice award at the time the review was published.

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Stunning Sound: Dynaudio Confidence 20A Loudspeakers in Warsaw

One of the top five audio shows in the world, Warsaw’s annual Audio Video Show (AVS), was held from October 25 to October 27 this year, its 26th. Founded and still run by Adam Mokrzycki, it has enjoyed steady growth over the years and has established itself as a world-class event. I started attending the show in 2016. From my perspective, it is the second-most important audio show in Europe, after the annual High End show, in Munich (soon to be held in Vienna). It has surpassed the American audio shows and, along with several Asian shows, holds considerable importance. Needless to say, it is a key event for us.

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Arendal Sound 1528 Tower 8 Loudspeaker: Why I’m Going 3500 Miles to Learn How it Happened

Company visits

The SoundStage! Network began in 1995. By 1998, traveling to visit hi-fi companies had become a regular occurrence for me. At first, I toured companies close to my home in Ottawa, Canada—those located in the Toronto and Montreal metropolitan areas, mostly. By 2000, I was traveling to companies in the United States and Europe as well.

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September Speaker Week in Denmark—DALI, Treble Clef Audio, and Radiant Acoustics

Denmark—a hi-fi-dense country

For a country one-fifth the size of the UK and a population just shy of six million, Denmark has an astonishing number of hi-fi companies and brands: Bang & Olufsen, Buchardt Audio, DALI, Dynaudio, Gato Audio, Gryphon Audio Designs, Lyngdorf Audio, Ortofon, Raidho Acoustics, Steinway Lyngdorf, System Audio, Vitus Audio, and others. I’d bet Denmark has the highest number of hi-fi companies per capita of any country in the world.

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Still Think Computer-Based Audio is Tough to Set Up? Try a Turntable!

The vinyl long-play (LP) record has been around for a while. It debuted in mono form in 1948 and was adapted for stereo in 1957, but it hasn’t changed since; only the music has. By contrast, rapid technological advancement is a defining characteristic of digital music.

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In Defense of Doing Things the Wrong Way

In case you need more reasons to start following the SoundStage! YouTube channel, know that, occasionally, some of the vlog-type videos posted there can get pretty spicy. No, I don’t mean X-rated stuff; I’m talking about SoundStage! founder and publisher Doug Schneider’s July 8 Real Hi-Fi video in which he discusses the shortcomings of single-driver speakers. Putting it plainly, “they’re crap,” he says. To my amazement, of the 40 or 50 comment chains on that video (as of this writing), only 11 of them are people letting Doug know he’s an idiot and wrong about everything. Of those, I think only two used profanity, and no one used the caps-lock key. Bravo, internet! Faith in humanity restored!

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The Loudspeaker Class of ’74: A Canadian Reunion

I don’t think anyone in the world could have predicted that a 1974 meeting between Paul Barton, founder of PSB speakers, and Dr. Floyd Toole, a research scientist at Canada’s National Research Council, would change the way loudspeakers, headphones, and soundbars are designed—not just in Canada but globally.

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